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This curatorial project was my first as a curator after graduation. I was responsible for the overall poster design, coordinating the team, and working closely with the artists, organizers, and collaborators. Additionally, I managed the promotional content both before and during the exhibition. Although I encountered many unexpected challenges, the exhibition was completed successfully. It was an invaluable experience that helped me hone my skills in all aspects of curating and strengthened my ability to work under pressure.
The theme of the exhibition, “Mountains Must Have Stones,” reflected the idea that stones, hidden within the mountains, form their essence and strength, much like the human journey toward self-discovery—where true purity and essence gradually emerge through exploration and self-reflection. For Zhou Jialin, stones represent both his creative process and his dedication to art, serving as both a tool and a symbol of his perseverance.
In this context, the tea culture, as represented by another artist, Pan, was also a symbol of quiet dedication and deep-rooted philosophy, embodying the same spirit of persistence and reflection. My hope was that viewers could find their own "stone" within the artwork and tea—a symbol of their steadfast, true self.
Although I encountered some challenges with printing technology and time constraints, which led to slight imperfections in the final presentation, the experience was immensely valuable. It was a great learning opportunity for me, allowing me to gain deeper insights into exhibition planning and execution. I look forward to applying these lessons to future projects and continuing to refine my practice.